Why Were Victorian Christmas Cards So Creepy?An Unsettling Look at Festive Greetings of Yesteryear
If you’ve ever rummaged through a box of old postcards or found yourself squinting at an antique Christmas card, you may have noticed something… peculiar. Where you might expect jolly Santas, twinkling trees, and cute robins, you instead find frogs brandishing sticks, insects pulling children in carts, and dead birds. Yes, dead birds.
Victorian Christmas cards were, by modern standards, downright bizarre. Sometimes they were unsettling, occasionally grotesque, and frequently confusing. But how did the Victorians—renowned for their stiff upper lips, modesty, and sentimentality—end up sending one another such strange and creepy seasonal greetings? Let’s take a deep dive into this festive oddity and uncover why Victorians just couldn’t resist putting a dead robin on a Christmas card.
The Origins of the Christmas Card
To understand the eccentricity of Victorian Christmas cards, we must first set the scene. The tradition of the Christmas card began in 1843 when Sir Henry Cole (a civil servant and all-around Victorian innovator) commissioned the artist John Callcott Horsley to create the first-ever Christmas card.
The card showed a well-to-do family enjoying Christmas dinner—complete with a child sipping wine, because apparently that was festive—flanked by scenes of charitable acts. The idea caught on, and by the 1860s, the postal system made sending cards affordable for the masses.
Initially, Christmas cards featured classic festive themes: holly, mistletoe, and winter landscapes. But then things got… weird.
What Made Victorian Christmas Cards So Creepy?
Here are a few standout themes that might have you raising an eyebrow—or nervously clutching your mince pie.
1. The Dead Birds
Victorian cards featuring dead birds were surprisingly common, particularly dead robins and wrens. The imagery of small, lifeless birds lying in the snow feels more like a gothic tragedy than a heartfelt Christmas wish.
The explanation lies partly in symbolism. Robins were associated with delivering messages from loved ones who had passed on—this was, after all, an era obsessed with mourning and spiritualism. Dead birds could represent sacrifice, the harshness of winter, or Christian themes of death and rebirth.
Still, it’s hard not to feel unsettled when a card essentially says, “Merry Christmas! Here’s a lifeless robin to get you in the festive mood.”
2. Creepy Anthropomorphic Animals
Another curious trend was the depiction of animals—usually frogs, cats, and insects—engaging in very human activities. Frogs were particularly popular and, for some reason, always looked angry. You’d see frogs battling each other with sticks, frogs riding on the backs of other frogs, or frogs playing the violin.
The Victorians had a soft spot for anthropomorphism, as seen in the works of Beatrix Potter (albeit less creepy in her case). But when these animals were used on Christmas cards, the effect was often unsettling. Seeing an insect in a bonnet pushing a cart or a frog staring aggressively at you doesn’t scream “Peace on Earth.”
3. Dark Humour and Threatening Messages
Some cards took an overtly sinister tone, offering greetings that felt more like warnings. Take, for instance, a card depicting a giant anthropomorphic wasp with the caption, “Wishing you a Merry Christmas.” What’s the message here? Merry Christmas—or else?
The Victorian sense of humour was darker than our own. This was the age of gallows humour, with people laughing nervously at the harshness of life (and death). Combine this with a fascination for the macabre, and it’s no wonder Christmas cards sometimes read like veiled threats.
4. Children in Peril
Victorian cards had a strange preoccupation with depicting children in disturbing situations. Some cards showed children being terrorised by creepy creatures, while others depicted them in outright danger. You might find a child menaced by an oversized beetle or stranded in a snowstorm, all while festive wishes are scrawled across the image.
To the modern eye, this seems incomprehensible. But again, we must consider the Victorian psyche: this was a society where childhood mortality was high, and the innocence of children was often juxtaposed with themes of vulnerability and death. Nothing says “Merry Christmas” like reminding you of mortality, apparently.
5. The Surreal and Downright Bizarre
Some cards defy explanation altogether. Imagine a card showing a mouse riding a lobster or a cheerful turnip with a face. Surreal, odd, and occasionally disturbing, these images often had no clear connection to Christmas at all.
Victorians enjoyed novelty and absurdity, and these cards were likely meant to amuse and surprise. Think of them as the Victorian equivalent of a modern-day meme: strange, funny, and designed to grab your attention.
Why Did the Victorians Love These Creepy Cards?
At the heart of these unsettling images lies a mix of Victorian cultural obsessions. This was a society fascinated by death, spiritualism, and the macabre. Mourning was an art form, and Gothic literature (think Frankenstein and Dracula) was all the rage. A dead bird or a sinister frog wouldn’t have seemed out of place to Victorians who decorated their parlours with taxidermy and skeletonised flowers.
Moreover, Christmas itself had a darker, more haunting undertone during the Victorian era. Before Dickens gave us A Christmas Carol, the festive season was closely associated with ghost stories. Families would gather around the fire and tell chilling tales, finding comfort in the tradition of sharing fear in the face of long, cold winter nights.
The Legacy of Victorian Christmas Cards
While Victorian Christmas cards might seem ghoulish to us, they offer a fascinating glimpse into the values, humour, and anxieties of 19th-century Britain. Today, we prefer our Christmas imagery soft, warm, and sentimental—snowflakes, cosy firesides, and festive cheer. But there’s something strangely compelling about those unsettling Victorian cards.
So, the next time you see a perfectly cheerful robin perched on a snowy branch or a cartoon reindeer with a glowing nose, spare a thought for the Victorians and their morbid festive tastes.
Who knows? Perhaps there’s still room for a card featuring a frog duel or a slightly threatening wasp in your festive collection. After all, nothing says “Merry Christmas” quite like “Enjoy the season—or else.”
The Victorian Christmas card was a reflection of its time: a little dark, a little absurd, and entirely unique. While we might not understand the exact appeal of dead birds and angry frogs, there’s something undeniably charming about their eccentricity.
And let’s face it—modern Christmas cards could use a bit of a shake-up. Who wouldn’t want to receive a card featuring a turnip with a face?
Happy (and slightly creepy) Christmas!