1970s New York City Through the Lens of Camilo José Vergara
New York City in the 1970s was a world away from the shiny, modern metropolis we see today. The city was facing serious challenges—budget cuts, rising crime, and entire neighbourhoods falling into neglect. For many, it was a tough time, but for photographer Camilo José Vergara, it was an opportunity to document a city in transition. His street photography captured the highs and lows of urban life, showing us not just the struggles, but also the creativity and determination of the people who called New York home.
1970s New York City: A City in Trouble
During the 1970s, parts of New York were in rough shape. Neighbourhoods like the South Bronx, Harlem, and Brooklyn had streets lined with burnt-out buildings, abandoned lots, and graffiti-covered walls. Many landlords, unable to make ends meet, walked away from their properties or burned them for insurance money. It might sound bleak, but life went on.
Vergara’s photos take us right into these streets. He wasn’t just snapping pictures of buildings; he was documenting the lives of the people who lived there. Kids playing on empty lots, families sitting on stoops, and small businesses carrying on despite the odds—all of this made its way into his work. His images tell the story of a city that, while battered, refused to give up.
Vergara’s Eye for the Everyday
What made Vergara’s work stand out was his mix of photography and sociology. He wasn’t just interested in taking striking photos; he wanted to show how neighbourhoods changed over time. He would return to the same spots year after year, tracking the rise and fall of buildings, murals, and street life.
In the 1970s, his photos captured a mix of crumbling infrastructure and the energy of everyday people. Unlike some photographers who focused on dramatic, one-off moments, Vergara looked for the bigger picture. He saw the city as a living thing—messy, complicated, but full of stories.
The Big Themes in His Work
Vergara’s 1970s photography is all about contrasts.
Decay and Growth: His shots of burnt-out buildings and empty lots are stark, but they’re also balanced with signs of resilience. Community gardens, homemade murals, and bustling street corners showed the other side of the story.
People First: Vergara’s photos are packed with faces. Whether it’s kids playing in the street or shopkeepers standing in front of their stores, his work reminds us that behind every boarded-up window, there’s a story.
Culture Everywhere: In Vergara’s work, the city’s diversity shines through. Street art, local businesses, and handmade signs reflected the vibrant cultures of African American, Puerto Rican, and Dominican communities.
Time’s Toll: Vergara revisited the same spots for decades, creating a visual timeline of the city’s changes. His work lets us see how some places bounced back, while others faded away.
What Vergara Left Behind
Today, Vergara is seen as one of the key voices in urban photography. His photos are in museums like the Museum of Modern Art and studied by historians and city planners alike. His work isn’t just about the past; it’s used to understand how cities change and how people adapt to those changes.
What’s really powerful about Vergara’s photography is how it connects us to the people and places of the past. Many of the buildings he photographed are long gone, but his photos keep their stories alive.
Why It Still Matters
Vergara’s photos remind us that cities are more than their skylines. They’re about the people who live in them, the cultures they create, and the ways they survive tough times. His work from the 1970s isn’t just about New York back then—it’s a reminder that even in difficult moments, there’s life, creativity, and hope.
For anyone interested in photography, history, or urban life, Vergara’s work is a must-see. It’s a window into a New York City that’s changed a lot since the 1970s, but whose spirit hasn’t faded.
